February 14, 2025

All the artists who exhibited in Piazza della Signoria in Florence

From Botero to Penone's maxi-tree, great international contemporary art goes through here

Piazza della Signoria, the political heart of Florence from the Middle Ages to the present, is an authentic cradle of ancient and contemporary art.

From March it will welcome a giant 4-meter-high bronze statue by Thomas j Price, a marvelous 'celebration of the ordinary' by the British artist. Price balances methods of presentation, material and scale to challenge our expectations and provide cues for deeper human connection. The artist forces the viewer to consider how and why things are made, incorporating references to ancient, classical and neoclassical sculpture along with a sophisticated understanding of the symbolic power of materials.

Piazza della Signoria is often also the cradle of contemporary art and a coveted setting for artists from all over the world. The latest is Francesco Vezzoli's rampant lion. But before him, this extraordinary symbol of Florence was the ideal setting for artistic incursions by some of the greatest protagonists of contemporary art.

Starting with the Colombian master Fernando Botero, who in June 1999 placed 30 monumental sculptures in Piazza della Signoria and the Uffizi square. Sculptures that had never before been exhibited in Italy or had never been exhibited in Italy and had come to Florence from private collections around the world (among them, Male Torso, Woman with Mirror, Walking Man, The Thought). The “pearl” was represented by “Apres Piero della Francesca,” which Botero made as a tribute to Florence and its most beloved artist, who is, indeed, Piero della Francesca.

Let's jump directly into 2015 with the incursion of Jeff Koons, the world's most highly-rated living artist, the protagonist from October 2 of a major exhibition at Palazzo Strozzi. The artist had brought to Piazza della Signoria Pluto and Proserpina, a monumental work more than three meters high, which inaugurated the project Jeff Koons In Florence, an ambitious and innovative program that saw the protagonists of the art of our time confront the spaces and works of the Florentine Renaissance. The chosen places for the dialogue were the Sala dei Gigli in Palazzo Vecchio, where the work Gazing Ball (Barberini Faun) was exhibited, and Piazza della Signoria. The exhibition, organized by Associazione Mus.e and curated by Sergio Risaliti, was made possible thanks to the reports and contribution of Fabrizio Moretti, Secretary General of the International Antiques Biennale.

A giant tortoise, a man holding a tape measure, a knight set in silver threads and a globe 2.50 meters in diameter covered with iridescent carapace beetles. These were the most grandiose works, exhibited from April to October 2016 in Piazza della Signoria and inside Palazzo Vecchio. The artist is Jan Fabre and the magnificent exhibition, which also ran at Forte di Belvedere, was titled Spiritual Guards. Searching for Utopia was the title of the bronze sculpture placed in Piazza della Signoria depicting a tortoise ridden by a self-portrait of the artist.

We arrive in September 2017 with Big Clay #4, the monumental sculpture that landed in Piazza della Signoria, which bore the signature of Urs Fischer. The work, already exhibited in New York but for the first time in Europe, is a large metal sculpture 12 meters high that towered in front of the Tower of Arnolfo, whose forms had simultaneously something primordial and childlike: a monument to the simplicity and primordiality of the human gesture that shapes form, the enlargement of small pieces of clay modeled by the artist in his studio. A monument to manual dexterity and to the simplest and most everyday creative action.

The Swiss artist was the second protagonist of the new edition of In Florence, an event of contemporary art that returns two years after the exhibition of Jeff Koons, conceived by Fabrizio Moretti and Sergio Risaliti, in conjunction with the 30th International Antiques Biennale.

In addition to the imposing aluminum sculpture, two smaller works placed on the Arengario of Palazzo Vecchio, between the reproduction of Michelangelo's David and that of Donatello's Judith and Holofernes. These are 2 Tuscan Men, two human figures made of wax, Fabrizio and Francesco, representing Fabrizio Moretti and Francesco Bonami, creator and curator of the project.

The last protagonist of the setting of Piazza della Signoria before Vezzoli was Giuseppe Penone with his maxi fir tree. Visible until October 3, it is the largest installation ever exhibited in a public space in Florence, 22 meters of cast stainless steel for the trunk, and bronze for the bamboo canes that rest, light and resistant, on the branches.

Francesco Vezzoli's sculpture arrived on 2 October. A monumental twentieth-century lion rampant, installed on an ancient plinth, crushing a Roman head from the second century AD in its jaws.